Whatever you think of Kanye West - genius, prat, prattish genius - chances are he has thought it first. You can't imagine any other rapper uttering a line as candid as I Wonder's 'You think I get on your fucking nerves.' Much is made of West's elephantine ego, but what makes him far more interesting than your standard rap blowhard is the anxiety and doubt that inflate it. It is not so much arrogance as a mind game: if he says enough times that he's great, then the self-imposed pressure will goad him to be great.

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Since he became hip-hop's most fascinating talent with the exhilarating one-two of 2004's The College Dropout and 2005's Late Registration, the Chicago rapper-producer's artistic ambition has swollen into a kind of mania. Not content with hip-hop, his recent underground mix album found him rapping over Thom Yorke's The Eraser and Peter, Bjorn & John's Young Folks, while Graduation happily sits Can next to Mos Def, and Chris Martin beside Lil Wayne.

The impression is one of gauche enthusiasm rather than cold calculation, but there is a frenzied hunger to his musical appetite, an attempt to assimilate everything into one irresistible sound. No wonder he approached Martin, another songwriter obsessed with the impossible objective of music so undeniable that even sceptics will throw up their arms and embrace it.

Graduation is not that record - nothing could be - but it's not for want of trying. The inspiration for the single Stronger - Daft Punk's Harder, Better, Faster, Stronger - could be Graduation's mission statement. So much work has evidently gone into every note that the album is both colossal and claustrophobic. Weighty, gothic synths bear down on several tracks. Bernard-Herrmann-esque strings glower over Flashing Lights. Drunk and Hot Girls, a bold, albeit ugly, experiment, is a dense, lurching variation on Can's Sing Swan Song. Another interestingly flawed venture is Homecoming. Here's a tip: if you're rapping about growing up in Chicago, don't duet with a singer from Devon. Emote though he may, Chris Martin can't convince anyone that he is moved by the memory of 'fireworks over Lake Michigan'.

Still, the music is never timid or conventional. Only as a lyricist does West sometimes disappoint. It is an unfortunate paradox that massive global success tends to shrink rather than expand a rapper's worldview, sealing them into the foggy bubble of celebrity until, vexed by a few criticisms, they mistake themselves for Nelson Mandela on Robben Island. Thing is, West is mostly tilting at windmills. One's admiration for his bravery in blurting 'George Bush doesn't care about black people' after Hurricane Katrina wanes slightly upon realising, during the tense, angry Can't Tell Me Nothing, that he is less interested in the aftermath of Katrina than in the aftermath of what he said about Katrina. To call paparazzi worse than Nazis on Flashing Lights is simply imbecilic.

More often, though, he undercuts rap cliches with wit and ambivalence. The sexual prospecting of Drunk and Hot Girls has the salty realism of a Judd Apatow comedy: 'Please don't throw up in the car.' Barry Bonds, named after the controversial baseball star, is self-mocking braggadocio, winking at the listener with lines such as 'I'm doing pretty good as far a geniuses go' and, 'My head's so big you can't sit behind me'. Big Brother's salute to mentor Jay-Z intertwines admiration and envy with fascinating honesty. 'I told Jay I did a song with Coldplay,' West sulks. 'Next thing I know he got a song with Coldplay.' Gentlemen, please. There's enough Coldplay to go round.

For those not interested in unpicking West's Gordian knot of insecurities, Graduation offers several instances of brilliant, questing pop, such as the jubilant Good Life or the squeaky Laura Nyro snippet on The Glory - nobody else can get so much out of a vocal sample. But his previous albums set the bar so high that one judges more harshly the occasional dud rhyme (cringe at the pairing of 'Klondike' and 'blond dyke' on Stronger), or trowelled-on synth smear, and wonders, more importantly, whether he now risks losing the ability to speak to listeners who aren't themselves conflicted multi-millionaire rap stars. He has the ears of the pop world. It would be a shame to squander that privilege on narcissistic bellyaching.

Graduation is the third studio album from Chicago rapper Kanye West. The album was inspired by stadium tours, indie rock and house-music and was a huge departure from the sound Ye had used on his first two studio albums The College Dropout and Late Registration which featured samples and inspirations from soul and orchestral music. This album, on the other hand, included a much more electronic sound, featuring the use of layering synthesizers. Lyrically, Kanye analyzes himself and talks about his life after becoming famous and how he is criticized from the media.

The album famously faced off against 50 Cent’sCurtis in a sales war which Kanye won with 957,000 copies sold in the first week.
Some critics argue this is the day gangsta rap was finally defeated.

The album is credited with inspiring U2 as well as pushing Daft Punkinto the mainstream.

On May 15th, 2007, Kanye released the album’s lead single “Can’t Tell Me Nothing.”

On July 31st, 2007, he released the album’s second single and biggest hit, “Stronger.”